The Odyssey' is a great poem to refugee-dom... Odysseus is not entirely a refugee... he's somebody who's blown off course. The entire book is an exploration of that theme... I reread it every year... That's not as surprising as it sounds, because it's a rip-roaring book.

The Gobi is in many ways like the old American West, filled with abandoned hamlets and buildings, traces of disappeared peoples. Across its oceanic blond grass, horses and the black silhouettes of camels move languidly, as if they are the only inhabitants. Ancient Turkic nomads left enigmatic petroglyphs carved into boulders 2,000 years ago.

To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.

I think humans are migratory animals.

I think most polling shows that most Americans agree that when it comes to employment that, you know, people should be really judged by, you know, their competency and not, you know, who it is they choose to love or who they're in a relationship with.

Of course, the E.U. were never going to welcome Brexit. Some sour grapes were inevitable. That's why we worked hard to leave on positive terms, extending the arm of friendship.

I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.

I believe in finding a soul mate. I've always been in monogamous relationships. I would never want to be in an open one. It'd be too awful. Monogamy can be hard work for some people. I don't think it applies to everybody, and I don't think a lot of people can do it.