James Wan is somebody who doesn't have any problem coming in and directing somebody else's script, he'll be the director for hire and he has his own style and he loves that.

So when I look back at 'Saw' and 'Insidious,' I just think, 'Wow. Both of those films went way past what we ever could've dreamt for them' and it makes me genuinely thankful, like every single day, once a day, even if it's just for thirty seconds, sitting in my car, I have a moment where I'm like, I can't believe I'm here.

For me in a horror film, just looking down a long corridor and seeing somebody standing there, the simplest thing in the world, has a really seismic impact to me.

Any movie that deals with an AI computer voice stands in the long, long shadow of '2001.'

I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.

My favorite subject was English or creative writing. We did poems and making a magazine, and I did one on celebrities. I called it 'Celebrity Life Magazine.' I interviewed my good friend Kaley Cuoco.

As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.

I just love music. I love writing songs. It's not even a job; it's a gift. I'm waiting for someone to kick me out of the party because I snuck in here, and I keep thinking somebody's going to figure out that I have no clue. Turns out that most of them have even less of a clue.