Growing up in the '70s and '80s, science fiction and especially fantasy had such a stigma attached to them. I felt so punished and exiled for being devoted to these things.

When I left college I thought - based on a staggeringly inadequate understanding of how the world worked - that I might like to go into book publishing.

The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.

Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.

I believe very strongly, and have fought since many years ago - at least over 30 years ago - to get architecture not just within schools, but architecture talked about under history, geography, science, technology, art.

As a director, it became important to hear that specific role read by that specific actor, and you hear the chemistry, or you don't hear the chemistry. So I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.

The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.

To process and close models in 50 states and 2,000-plus counties with the myriad of, just, tens of thousands of different regulations, customs, vendors - it's a monster. So the only way to do that is with technology. It really is rocket science.