Material Girls was so different for me, I'd never done a teen movie.

I love seeing people having fun. Everyone over in L.A. is too cool for it. That's the problem.

It was a wonderful experience to work with Sylvia. She pushed me to be more powerful with my acting, and she told me scores of the most incredible stories I've ever heard. She is amazing.

In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.

The most fun about working with special effects is that you have to really rely on your imagination to build the scene. You can't actually see how what you're doing will fit in ultimately and you look silly while doing it but when you see the finished product it becomes something amazing!

To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.

A career is a job you love, right? That's what a career should be. If you're in a job that you hate, you should quit. That's the way I look at it. I'm in a job that I love, so I'm going to make it my career.

There's a tacit understanding among clubs that a good player shouldn't miss out on the big break of his career or a chance at exponentially improved earnings.