I never thought I would be recording on any professional level, so to be doing a rockabilly, Motown, pop soundtrack in a L.A. studio was completely bizarre and amazing.

There's been certain opportunities that have arisen that would have been financially quite advantageous but, creatively, would have steered me away from my career plan.

Everyone should be themselves, and everybody makes mistakes, and young people who have a platform like I have, I know people who have a much bigger platform who are much more influential, who have made mistakes and learnt from them and had to do that on a public stage.

The Fosters' is such a fun show to shoot, and I always look forward to getting the new script because we keep pushing the boundaries.

This has always been a small agency with a big mission. But these days, especially, we have to stand up every day, deliver value into the hands of small-business owners and get taxpayers the biggest bang for their buck so that we can help these job creators do what they need to do.

At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.

Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician.

Over the course of my entire Wolverine career, I went from being a single guy to getting married and having kids, and I think you can see that progression in the way that I treated Wolverine.