There's Kelsea Ballerini, myself... Lauren Alaina, Raelynn, and there's been this influx of really amazing artists who happen to be women. I think I'm not really attached to the females in country conversation as much anymore, but I think, you know, we're here to stay, and we've always been here, and we've always been good.

I care about women's rights and reproductive rights and my gay friends being able to keep their marriages official. You don't want your genre to disown you for it - and I don't think they would now - but you still see that sort of hatred and vitriol that comes with disagreeing with the conservative agenda.

Ever since the Dixie Chicks, the female perspective on country radio has been love songs. I love love songs, but we do have more to talk about, so it's nice that other perspectives are coming back.

I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.