Growing up, people are like, 'Mary, we'll see you at the Grammys.' You're like, 'I'll be at the Grammys.' Then, you're actually at the Grammys! That actually is happening; it's not just something people are saying because they like your music. It's real!

I'm learning how to keep my identity and personal life sacred. It's a matter of knowing my limits. I don't have to give everything that's asked of me.

Bike lanes are the coolest. My favorite past time is flipping off cars from my bicycle. Just kidding - I'm more of a silent resentment kind of girl.

I'm not saying everybody has a social responsibility of what art they create, but art should be open-ended. I just feel there's a lack of consciousness and understanding of impact and reach. Just maybe, for a second, just think of the effect you could have with a lyric.

From my perspective, I absolutely believe in a greater spiritual power, far greater than I am, from which I have derived strength in moments of sadness or fear. That's what I believe, and it was very, very strong in the forest.

There was an angry wave in the '70s, a strong feminist angry wave. I remember thinking - oh my God - I thought it was the beginning of something, and it all went quiet.

If you look at American medical fiction written by doctors, like 'The House of God' by Samuel Shem and 'The Blood of Strangers' by Frank Huyler, both have themes of cynicism and dysfunction running through them that you won't find in 'ER.' You find it in 'Scrubs,' but because that's a comedy, it gets away with it.

When I'm really stressed out, I go to church. I light candles and sit and pray. And I'll ask myself, What's the lesson? Why am I going through this? There's got to be a reason I'm here. What am I supposed to learn?