I remember when I was growing up and watching southern people depicted on television, I thought, 'Well, based on what I'm seeing, I guess I'm supposed to be stupid and racist.' It's still, sadly, the easy route for a writer to go.

If you're not growing, you're dying, and I'm not ready for that.

There's a style to doing period pieces, and you can't do a Western without understanding 'My Darling Clementine.'

I've found that most people who studied when they were little, even if they never took another tap class, it's percussive, so it stays in your body, the muscle memory of it.

I never made lots of money at it, but I sold enough.

For me, it's an easy way to make money. I'm just hitting a ball over a net. Of course, I've grown up with it. It's a part of me. It's all I really know how to do.

I don't take PAC money. I don't take special interest money.

You loan your friend money. You see them again, they don't say nothin' 'bout the money. 'Hi, how ya doin'? How's ya mama doing?' Man, how's my money doin'?