We didn't get to see a lot of movies in my house growing up, so the first time I got to go to the movies - I think it was 'E.T.' - I was like, 'Oh my God, somebody else gets my imagination!'

I can safely say that I had an incredibly difficult and trying past growing up and trying to be an artist and standing up as who I am in this world.

It's a struggle for anybody to take their paradigms and set of beliefs and understandings and completely flip the script.

My favorite thing about working with Lady Gaga is really just the sheer level of creativity she brings to the table. And she's really one of the most intelligent people I've ever known. Her intelligence is equaled by her heart.

We've always been interested in the commentary on politics and society and how comedy always sort of cuts that with a nice laugh, and the perspective it brings.

It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate.

I'm never happier when writing than when I see gags taking shape - ideally, gags at my own expense. What I like is the shuttling back and forth, serious into comedy and vice-versa, ideally, both in the same sentence, or even simultaneously. The best jokes are always ideas in miniature.

It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.