Now, you lose something in your life, or you come into a conflict, and there's gonna come a time that you're gonna know: There was a reason for that. And at the end of your life, all the things you thought were periods, they turn out to be commas. There was never a full stop in any of it.

I'm not arrogant enough to look back on my career and criticize my choices. It's really not my place.

There's a gap between what I want to do, what I do on camera, and what gets edited. Right? So the goal is to try and close the gaps. What's the biggest compliment is if I read a review and it's exactly what I wrote down in my diary before ever filming it. That's really cool. That's the biggest signifier of closing the gaps.

I'm a football fan, a sports fan, a fan of competition.

We danced on the lip of the volcano, so to speak. We were young, too. And New York was still a big, open city where anything could happen and anyone could be star. Rents were cheap, creativity was encouraged, and bottle service was still 20 years away. That was the era the Club Kids came into.

I suspect that even most conservatives would prefer to live in the kind of world conjured up in the liberals' imagination rather than in the kind of world we are in fact stuck with.

I love what Monet, Picasso, Van Gogh and Jesus all said - that love is really the driving principle of the creative act. In fact, they would say that great art is always inspired by love.

From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.