I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.

I was writing full time after quitting a job as a high school English teacher, and I hadn't been able to sell anything, and my bank account was down to zero, and all of my friends were like 'What are you doing in the basement, when are you going to get a real job?', and my parents thought I'd completely lost it.

When I travel round the country, people can't place my accent; if there's someone in the audience, they'll be like, 'You're from Philadelphia', but everyone else will say, 'Where are you from, California?' I get England sometimes - bizarre!

I grew up in a blue-collar neighborhood and was raised by a man who did not emote, ever... I always cry at movies, and when I was a kid, I would try to hide it. It wasn't something a kid in Oaklyn, N.J., did. So I have these weird hang-ups about emotions.

I was inspired by the men who walked on the moon. It really was my inspiration, I think, you know, as a kid of 9 years old - I know I'm dating myself, but - I thought, 'What a cool job!'

Then when I went to Iraq and saw the strength and character the men and women in our military service exhibit every day and their belief in what they're doing, I knew I wanted to get that on film and share it with everyone. They are my inspiration.

I remember when I met Picabo Street, you know, how in awe I was of her and how much she inspired me, and I really hope to be that for young kids.

We believe that in times like these we should turn to each other, not on each other. We believe that government has a role to play, not in solving every problem in everybody's life but in helping people help themselves to the American dream. That's what Democrats believe.