There is no single voice in fandom; there is a multitude of voices, so you listen to them all because there are some good ideas coming from everywhere, but at the end of the day, we have to use our own instincts as a guide.

People always say, 'Oh, I'd love to work with my sibling,' or 'My God, I could never work with my sibling.' It was just a natural process for us. We started collaborating on our first films and it evolved. We have a passion for film that we shared as we were growing up.

We like movies that are going to have a great sense of fun and thrill to them while at the same time remain very grounded in relatable human emotions and conflicts that the audiences can get behind and root for and empathise with.

We basically got a call from our agent that said we were on the list of directors that Marvel was interested in talking to about 'Captain America 2.' First of all, that was thrilling, having not lobbied for the job.

I'm a big believer in family-based immigration.

When I was very young - around the age of nine - my family used to go to a house in Somerset that my stepfather rented every summer. There was fishing, lakes and riding.

If you're lucky like me, your relationship with your brother has resolved itself on the peaceful side of the fence and has stayed there. But if you're someone who's got a family that's all fractured and finding it hard to relate, that's a very sad place to be.

I don't like to design single objects. I like my pieces to have a relationship to each other. They can be mother and child, like the Schmoo salt and pepper shakers, or brother and sister like the Birdie salt and peppers, or cousins, like most of my dinnerware sets.