We cannot forget about Rachel Maddow. She is the Peter Pan of MSNBC. But instead of never growing up, she never gets to the point.

As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.

Writing for late night is really good for learning how to write when you don't want to write. You have to produce every day. It's also very good for refining the difference between your point of view and the host's.

I always loved comedy, but in my mind, it wasn't a viable career option. I always thought, 'You go to college. You get a job, and then you pay off college.'

I'll come out and say it because no one else will: French gross-out humor is the best. Particularly the illustrated variety.

The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.

The last thing I want to do is use my comedy as a partisan tool or as a method for preaching.

My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.