In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.

When I decided to go to art school, it wasn't necessarily something I thought I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the Studio Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.

There's a greater power and charisma when a woman is aware of her sexual prowess when it's not necessarily about victimization or someone else's pleasure but her own feeling about her own body and understanding and loving herself.

I look to a lot of artists who don't focus on one medium, who you can't pigeonhole.

Look at the news stand, you know? I mean, it's a cacophony of famous people or people who want to be famous with blurbs all around it, and it's supposed to be, you know, that's supposed to be creativity in journalism. My God, it's unbelievable. It's shocking.

Kashmir, the 86,000-square-mile region in India's north, both is and isn't the India of the popular imagination.

I don't really count myself as a very sophisticated businessperson. I'm a creative artist. All I know from business I've picked up along the way.

Where I come from, it's a little bit like England. We start from the theater, and we do films a bit on our free time. The history of making films in Scandinavia is so old, it's like the oldest. The Nordic film industry started before Hollywood in Stockholm in Copenhagen.