It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.

You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted.

Most great plays of the past lose their grip on immediacy; on application to our lives right now.

It's not a film-maker's job to explain his technique, but to tell his story the best way he can.

In my kids' school, the married family is an anomaly... which I do think is sad. I do believe in marriage.

Faults are beauties in a lover's eye.

I would love to do a Fred Astaire/Gene Kelly type movie musical - a fun, song and dance, romantic comedy. Or, even just play the lead in one of those broad comedies - that would just be fantastic.

If there's delight in love, 'Tis when I see that heart, which others bleed for, bleed for me.