I always like to look for adventure when I go away. I have gone on several horse adventures with my wife - from Guangxi we went up to the High Tibetan region. We also went along the Hurunui River on horseback in the South Island of New Zealand.

Due to the failure of politics, which has become a process of middle-management, art has become one of the last open spaces to question core beliefs and to design a viable future. Art becomes an open space where we can ask fundamental questions about ourselves.

I would say that the whole way that I have approached the body is as a space, not a thing - not an object to be improved, idealised or whatever, but simply to be dwelt in.

I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place.

To be successful in anything, you have to have a passion for it, and that leads to being enthusiastic and demanding. I didn't have it for history. So I wouldn't have been a good teacher in that area. But I had it for basketball. And that's what coaching is at every level: it's about teaching.

My mom is an elementary school music teacher, a pianist, and a singer, and my dad plays guitar - he's a huge Bruce Springsteen fan. My mom does musical theater, too. All of those influences were around.

I started elocution lessons because I was being teased, and I had a brilliant drama teacher. At the age of 14, I appeared at the National Theatre in 'The Crucible.'

What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.