If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.

There's something very touching to me about someone almost communicating to themselves in some way - trying to come to some deeper understanding of yourself and having compassion for yourself.

Most of the shows I've worked on have aired three times and are in the dustbin of history.

I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.

A company can spend hundreds of thousands of dollars on firewalls, intrusion detection systems and encryption and other security technologies, but if an attacker can call one trusted person within the company, and that person complies, and if the attacker gets in, then all that money spent on technology is essentially wasted.

It's not as much fun to go to karaoke alone, but when you do it through the Internet or on your MySpace page, then you can share it with people.

I understand the power of the Internet, but I can't say that I'm there. I'm old-fashioned and living in a different century. I don't know. I just don't really understand the craze of it.

I wrote a piece of software in 1998 that created fictional weather.