The measure of and self-congratulation for our own intelligence should have its basis in our moral behavior as well as our smarts.

On the intimate level, anyone who has loved a companion animal knows the uniquely wonderful experience these 'other nations' provide, and their important presence in our shared lives. In their very local way they show us the global truth of our real wealth, our biodiversity.

When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.

I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.

I take no pleasure in the fact that the scientific predictions I've relayed to popular audiences turn out to be true.

But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.

I wasn't a major in political science for nothing, so I understood the politics of beauty and the politics of race when it comes to the fashion industry.

The Burgess Shale is not unique, but for those who study evolution and fossils it has become something of an icon. It provides a reference point and a benchmark, a point of common discussion and an issue of universal scientific interest.