The biggest learning during my tenure as a captain was that, a lot of time, I used to think that this is common sense. But no, there is nothing called common sense.

What's more important is, rather than looking at it from a commercial point of view, what we have to make sure is, where there's existence of the sport, it keeps on increasing there, and at the same time, you look at some of the other countries where there's the prospect of playing cricket.

I live for the moment - not the future, not the past.

Even when you bowl a bad over, try to restrict it in between 15-18 runs, because if you go higher than that, it has a bigger impact on the game.

When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.

And it has become a kind of a truism in the study of creativity that you can't be creating anything with less than 10 years of technical knowledge immersion in a particular field.

Whenever I finish a film, I feel that this is the worst film that I have made. This is bound to happen because while writing, directing and editing a film, I would have lived it 5000 times. Naturally, one tends to loose objectivity.

I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.