I'm not talking about Russia in my music. I've never been to Russia. I'm not talking about Africa, Switzerland, China. I'm talking about me being American and growing up in a crazy world and helping to reflect all different sides of life.

My earliest memories of rap music was mixed with my earliest memories of reggae music. They were big sounds around the way, heavy bass lines, strong messages, definitely.

I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.

Calling Michelle 'Obama Barack's baby mama?' Tell me, is that acceptable? But the Obamas aren't the only targets. Fox's pattern of race-baiting and fear-mongering regularly focuses on black leaders, black institutions and ordinary black people.

I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that's unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.

I like writing comic pages, discovering the rhythm of the panels, learning how much you can and can't express. It's good to stretch myself as a writer instead of always doing prose work; I write screenplays for the same reason.

There can be no passion, and by consequence no love, where there is not imagination.

A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.