To me, 'The End of the Jews' - both the title and the novel itself - is about the end of pat, uncritical ways of understanding oneself in the world.

When it comes right down to it, developing a critical sensibility about parenting isn't really about disapproval; it's about honing your own sensibilities, figuring out how you want to parent.

The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.

The paradox of being in an industry where other people are usually the gatekeepers: publishers, editors - there are a lot of barriers to having control over your career. But coming out of hip-hop, the mindset was always to create your own.

I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.

I've always been a fan of comedy. I've always enjoyed it. It's something I'm very passionate about; it's like lifeblood to me. I had to pursue it. I thought I had a little bit of talent, and if I could make a living at it, I would do it. It's worked out so far.

I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.