Part of making art is learning how you make it best. I'm not great at sitting down at a desk and writing for three hours. I write best verbally, talking through an idea with people, so I do my best work when I collaborate.

I didn't have any terrible survival jobs. The main job I had before I was able to transition over to acting full-time was working at an after-school program at a middle school teaching improv and standup. So even when I had a regular job, I was still lucky enough to be doing the stuff I loved in some way.

You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.

Doing radio commercials was how I was really able to leave my day job.

The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.

I do have a huge fascination for science, and I love to hear what my dad has to say. He used to take me into minor surgeries when I was a kid and let me watch, so I definitely have a passion for it, but it's not as big a passion as I have for acting and creating characters.

Team chemistry is what really matters, your team chemistry and team toughness.

I took organic chemistry, and I got my first-ever F. I ended up going to summer school, and the whole time, I'm thinking, 'I am not good at sciences.'