From a purely craft standpoint, a simple character has a single motivation, while complex characters have two or three or more motivations, at least one of which is in direct conflict with another.

Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.

To be a carpenter or a builder or a home inspector, you have to have that kind of visual brain where you can sort of imagine something taken apart.

I'm most interested in people who've lived life in the extreme, which is what draws me to crime fiction.