In my youth-team days, I was always a left-winger who would stay close to the byline and put crosses in the box, so I could never cut inside and shoot. It was only when I joined Real Madrid and started playing in a more central position, and then on the right wing, that I suddenly realised I had a really dangerous weapon.

I never had problems with injuries as a kid or in the youth team. My injuries started at Chelsea, when I broke my foot during a pre-season game. That was just pure bad luck, but after that, I had some muscular injuries, too, so I had to get to know my body better.

You need to be very critical of yourself. There are a few very good managers who can make players better individually. Most managers think about the team process - and so you have to improve things on your own.

I guess my earliest football memories are of playing in the street and also the little pitches at school. I joined the local football team in my village when I was small, but we would play only once or twice a week. I honed my skills just by playing for fun with friends after school.

Whenever you're dealing with something that's difficult to describe, that you can't get across to someone in a sound bite, it sounds like the normal default is to pick what's easiest, and in the case of fiction written by women, fiction involving women, fiction involving any sort of relationship, the word that comes to mind is 'romance.'

I remember the first time I met my wife, Elisa. As a favor to a friend, I had gone to her home to pick up her sister, Frances. Elisa opened the door, and at least for me, it was love at first sight.

One of the pitfalls of a romantic comedy is that you know how it's going to end.

Where I'm at in my relationship with my wife or my family and life in general, I feel like it all comes out in the music. Hopefully, it's always there, but in an ambiguous and abstract way and not real straightforward.