I'm an absolute fan of Angela Bassett. I think she's a great, great actress. In the biopics, she is so moving. She's very rare. It's something that doesn't happen that much, to see an actress inventing a new way of showing 'woman' onscreen, and a new way of being beautiful.

Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.

I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that.

I remember the first time I read Freud, I was 25 or 30, and I was expecting it to be about the Oedipus complex. But what I actually discovered confirmed my own common experience, that you also had little boys who loved their fathers and little girls who loved their mothers.

I spend a lot of time practicing active imagination before I go to sleep. What I'm feeling will manifest as images through active imagination. And then I go to sleep, and those play out even more in my dreams.

I think, for a long time, people thought I was a figment of Phil Spector's imagination because they knew The Crystals, they knew The Ronettes, they knew Bob B. Sox and the Blue Jeans, but had never had met Darlene Love.

Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.

Once I tried to find myself as a musician and a composer, I went back and saw that there was something special about Puerto Rican music. I knew that before, but had never sat down and thought about it. The more I learned about it, the more it found its way into the music I was writing.