A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.

I think music, in my opinion, is not about motivation in the way it's - it's not a running base. It's art. And my whole philosophy of music is different. It's almost like cooking and serving to people, seeing them smile and enjoying the food, really.

I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.

While my mother wanted me to be a musician, I wanted to become an electronic engineer.

I don't believe that a writer does something wonderful spontaneously. I believe it's the result of years of living, of study, reading, his very personality and temperament. At one particular moment, all these come together and the artist 'expresses' himself.

Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.

In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.

I'm learning more and more to share creativity with the crew and actors. A film crew is more powerful if you listen to them, but it does make my job more tough because I have to listen.