There's this absurd situation on a movie set where your trailer's here and the set is here and the lunch tent is here, and you're not allowed to get yourself from these three places.

My husband Rhashan reminds me of my father because he's got great strength of character.

When the Hollywood thing happened, I thought at some point I'd get to the front of the queue: 'Yes, hello, I'd like to play that role.' But you don't. You just join a different queue.

The way I miss my daughter Esme is to worry about her. It is not a pleasurable longing. It contorts my body and scrambles my brain, makes me stop breathing, clench my jaw and my fists, it makes me frown, and makes me blind and deaf, in fact entirely without sensory perception.

There was a time in Amir Khan's career when you had to fight him; you couldn't really box him. You wouldn't see Amir take beatings: if he lost, he would just get caught and stopped. It was hard to catch him clean and keep up with him in the ring because he was such a dynamic fighter.

There was a long period when I was younger where people always talked about my size and I was going 'but look, I can play, though, I can play' but you look at it, to have a career, 12-13 years, you've got to be more than just a brute.

I say from my experience that, you know, I have to do my career, and, you know with us, our careers come first, and, you know, anybody we're with has to take a back seat to that and understand that these are our lives.

When you actually take the time to go over to somebody's office and personally thank them - whether their office is in a cockpit of an airplane, or in a break room - that's an actual manifestation of interest in them. You need to take the time to show the people around you who work for you that you're interested in them.