My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself.

I always like to preserve my freedom. I've never really been attached to any place; that's probably why I kept moving. I like to evolve.

We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.

When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.

Like most people, I have this sort of love-hate relationship with Pittsburgh. This is my home, and at times I miss it and find it tremendously exciting, and other times I want to catch the first thing out that has wheels.

I grew up in a very large family in a very small house. I never slept alone until after I was married.

As the wedded pair have given each other power over their bodies, it would be a grave sin for one to refuse either altogether or for a considerable time the fulfilment of the marriage debt.

I have a particular interest in corporations that give themselves a cultural aura and are in other areas suspect. Philip Morris presents itself in New York as the lover of culture while it turns out that if you look behind the scenes, it is also a prime funder of Jesse Helms, someone who is very hostile to the arts.