When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.

You come to me and it's my job to make you look the best you can look. From an image point of view, would I prefer to dress Jude Law instead of Rolf Harris? Of course. But it's my job to make them both look great.

I haven't been to a job interview since I was 16 years old. When I was approached by Givenchy it was more like a courtship.

I'm not into street clothes. Don't understand it. I don't understand those over-exaggerated jean sizes so they hang off your back... I just don't understand it.

What a fine line there is between artistry and insanity. There's no formula for it, and I think a lot of people when they're around you - even those closest to you - when you're in that whirl of creativity and you're grabbing those things out of the air, there's no rational process.

Part of what I enjoy about writing classical music is communicating through the score and collaborating with such amazing musicians.

In Strapping, I had experimented with a creative catharsis under the assumption that art doesn't need to be accountable for itself, but I found out in very practical ways that you are accountable for everything you say. Everything you write, everything you do becomes not only your identity but your world resonates with it.

All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.