It's tragic that you can define a whole movement in music by gender alone. People are like, 'Oh, look, another quirky girl.'

You know, my mum's always encouraged me and never made my gender an issue, I guess. She brought me up to believe in equality, as opposed to feminism or sexism - so it just meant that my gender was not relevant to what I was capable of achieving.

I'm not a downtrodden woman. I just won't be.

When you research prolific songwriters, it is usually later in their career they write songs that they distance themselves from, or it's about other people.

I wrote 'Time of the Dark' in 1978 and 'The Silent Tower' in 1984, so the thing that sticks out for me is how totally technology has changed. I suppose that's the great peril for real-world crossovers.

We can do it better, more consistently, and in the end, it will cost us less because the students that we produce will be superior to those without technology experience.

The strangest thing about the low quality of Internet argument is that effective argument isn't really so difficult. Sure, not everyone can be Clarence Darrow, but anyone who wants to be at least competent at argument can do it.

My creative side is identifying all these great entrepreneurial creative people that come up with great ideas, whether they are in fashion or technology or a new tool to improve ourselves.