I think the reason teenage fiction is so popular with adults is that adults hunger for narrative just as badly as teenagers do.

A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.

I don't purposely push the boundaries... I think if you pay attention to a story, it will have exactly as much 'difficult material' as it needs, and nobody will complain about it because you've earnt it.

If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.

You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.

Once I discovered how important writing music was to me and just what a huge weight it lifted off of me, I knew that it was going to be the biggest part of my life, the biggest love of my life, the biggest thing in my life.

I was a very violent kid. I think movies and writing and art have been a way of channeling this.

Only in your imagination can you revise.