I felt alien my whole life, but I didn't feel alien because of my gender. Other people made me aware of my gender.

I never felt oppressed because of my gender. When I'm writing a poem or drawing, I'm not a female; I'm an artist.

What I really like is an intelligent review. It doesn't have to be positive. A review that has some kind of insight, and sometimes people say something that's startling or is so poignant.

The reason we did 'Land of a Thousand Dances' and 'Gloria' on 'Horses' was because I liked repetitious, three-chord rock songs, but I didn't understand that I could write my own. I didn't realize that you could use those chords a million times.

I love my children beyond all reason. They're my joy, even when they're wild with kid energy.

Little islands of human happiness, peace, and prosperity are so exceptional at this point in history that I'm not even sure we can draw lessons from them.

Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.

Real joy seems to me almost as unlike security or prosperity as it is unlike agony.