It's a funny thing. You sort of never figure it out with acting. You're always learning.

I don't want my learning curve to be stunted by just all of a sudden doing work all the time and not being careful about the work that I'm doing.

At the heart of drama is conflict.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.

God writes a lot of comedy... the trouble is, he's stuck with so many bad actors who don't know how to play funny.

I moved from acting to stand-up because castings are just about what you look like. It doesn't matter if you can act or not. In comedy, no one cares what you look like.

If you were a kid in the 1950s, and you got nightmares from a story in a horror comic book, you have Al Feldstein to blame. If you were a kid in the '60s or '70s, giggling at 'MAD's prankster wit, you have Feldstein to thank.