Growing up, if I had been given any advice - bad or good - I probably wouldn't have been able to act on it regardless. I wasn't shy, but I'd get nervous. I got a little more confident later in high school when I realized I could get girls to pay attention to me by making them laugh.

I think there's something kind of good about growing up in a place you know is not the cool place to be. I think it's good for your head.

There is something about growing up in the Midwest that gives a different kind of sensibility. But if I'm feeling insecure, the smiles and politeness get upped a notch, and maybe that isn't totally reflective of how I'm feeling on the inside.

Growing up, I was certainly drawn to comedy, but my goal was just to be as well-rounded an actor as possible. I really liked Daniel Day-Lewis, and I thought, 'Oh, he's a good guy to try and emulate.'

Comedy is a live art, and the only way to record a comedy rock album is to do it live. The audience and their laughter is just as much a part of the album sound as our music. No retakes, no room for error.

I have a sick sense of humor. Like, I'm always laughing at my own pain.

I love doing humorous roles and I write my characters that way. But I haven't received many offers from others to do comedy.

If I'm caught off guard or I'm not in a great mood, or if I'm feeling down or if I'm in my head and somebody comes up to me and I can't match the energy, I just have to think, 'Well, I did my job, which was to do the show or release the album or be in the TV show or write the joke. Beyond that, it's kind of a hit or miss what happens between us.'