Because of my capacity for listening to strangers' tales, or the details of their lives, my patience with their food and their crotchets, my curiosity that borders on nosiness, I am told that anyone traveling with me experiences an unbelievable tedium, and this is why I choose to travel alone.

The job of the travel writer is to go far and wide, to make voluminous notes, to tell the truth.

The people I've known who've done great things of that type - you know, building hospitals, running schools - are very humble people. They give their lives to the project.

When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.

There is a kind of adventure- and risk-seeking audience in classical contemporary music that is really empowering and part of what draws me to it. The people that come to these concerts are open-minded and curious.

I wanted to be my own boss. I was fascinated by airlines and how I could change travel for the average person. Then I wanted to diversify.

A country that has really resonated with me and I was really impressed with was Israel. I found that the whole country had a very special atmosphere. I was there to perform, but it was one of the few places that I've visited over the years that I had some free time to explore, and I was hugely impressed by all the religious history there.

Let me recommend the best medicine in the world: a long journey, at a mild season, through a pleasant country, in easy stages.