To say that a family is happy I think is to diminish it, taking out what is interesting. Growing up, I don't think my family was any happier or unhappier than anyone else's. My mother and father should have been divorced or never even married. On the other hand, I remember many moments of happiness.

The important discovery I made very early is that my novels had to be written without any given plan or outline. I can't do it in any other way. But then they are dependent on the sentences, my intuition, and, as I have experienced many times, the subconscious.

In a household tragedy, you are very much aware of being alone. It is something that is possible to grasp, and that is why it hurts so much. Because you are alone. I know a little about this.

If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.

Spend some time this weekend on home improvement; improve your attitude toward your family.

We don't tend to write about disease in fiction - not just teen novels but all American novels - because it doesn't fit in with our idea of the heroic romantic epic. There is room only for sacrifice, heroism, war, politics and family struggle.

The first time I ever experienced someone hating something I did on television was on 'Boy Meets World.' I remember these kids coming up to me and calling me a 'home-wrecker,' and so I had flashes of that going into my role on 'Mad Men.'

I have two young children, and I will say that motherhood is its own peak, just like in the process of writing: one climbs and is continuously moving with each book. Becoming a mother is the greatest connection I've ever felt to being spiritual.