I always wanted to be an actor. My first professional job was at 19, working in New York theater.

I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.

I used to make fun of those actors who talked about the theater as their temple and their place of worship. I'm not to that degree of zealotry or idolatry of theater as this holy place. But it's a place where I get together with people who do what I do, and we understand each other in that respect.

My mother sent me lithograph years ago at the height of my television success. It said, 'When your cup runneth over, watcheth out.' I never got over it. There's something so cosmic to be inferred in that. Not necessarily anything bad, and not necessarily anything good.

When I had dial-up, my mom got me a phone so I wouldn't tie up the phone. She used to really pick up the phone, push some buttons, and hang it up so the connection could mess up. Now, it's a joke with her, like, 'Look, the Internet's 24/7. I have WiFi now.'

I'd say any good set or any comedy that I've worked on, that's worked, has been comedians pitching ideas back and forth to each other. A lot of like, 'What if you say this? What about this?'

I have done all kinds of roles - comedy, action, romance, and thrillers. Just name the genre, and I've done it.

With comedy, I've always had a pretty good sense of what I like and how to execute it well, but drama has its own rules.