Pinchas Perry, the director of 'The Chicago 8,' offered me the role of the judge, and he did not know that, 35 years earlier, I'd played a judge in the theater production. So life has its own little twists and turns.

From the time that I was in high school, my life really revolved around live theater, so it almost feels genetic.

Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.

Good Times' was with a live audience, three camera, and that was really intimidating. Because there were people on both sides, moving from set to set, and it was pretty scary. As I say, I didn't have a foundation in Hollywood. I hardly knew anybody. Just at the social level. I felt pretty isolated here, I really did.

Writing with kids is an adventure. It seems like someone always has the flu or pink-eye. I mean, you don't even have to be in direct contact with anyone to get pink-eye. But for parents who write, flexibility becomes essential, and as long as I have a pad of paper and a pen, I can write anywhere. Starbucks is fine.

The most surprising thing for my mother and father was when I was actually earning more money than them by the time I was about 18. They thought I was going to be the ne'er do well, who they'd have to keep worrying about.

I want to create a family with my fiance and be able to live a simple life and just be safe.

In many ways 'Emmerdale' is a huge part of my life but in many ways it's not. I've always had so many interests elsewhere - family and friends and other interests away from that.