I see the portrayal of any believable female character as feminist.

If you go into the mainstream with a female perspective that seems to resonate with a lot of people, you have a political agenda imposed on you: you are told that you are a feminist.

You don't often see a cross section of female characters interacting with each other at the top of a chain.

Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.

Human love has little regard for the truth. It makes the truth relative, since nothing, not even the truth, must come between it and the beloved person.

Theatre is done largely for the love of the craft. Television makes you famous. And films immortalize you. That's the relationship between the three.

Even though the hero of emo is Morrissey, the great song of emo is 'Love Will Tear Us Apart.' An emo soundtrack would introduce Joy Division's music to a whole new generation.

I always love the soapy conflicts between somebody's family of origin and their new family - 'Do I have Thanksgiving at my husband's parents' house, or at my parents' house?'