All women need support when they're having their babies and their little families are in formation. I have to say I have a lot of concern about the numbers of women - and men, now - who are not getting the support that they need. There are not the families and the communities around that there used to be.

We all go back to our roots. My father went to the central west, went to Ilfracombe in 1919. He was the manager of the wool scour there. And, Ilfracombe was right at the heart of Australia's great wool industry, and my mother was a teacher at Winton.

One of the most enjoyable things I do at Government House and when I travel around Australia is to talk with children. I tell them about our parliamentary democracy - and I often do that as I'm walking into an Executive Council meeting next door!

It's a great privilege and an honour to have the experiences and opportunities that I do to meet extraordinary Australians right across our country who share a great generosity of spirit.

I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is.

There was a period when STP and I weren't making music - we weren't getting along very good at all. But I had my studio, so I was writing and recording a lot of music. But something told me not to put it out. It was all stream of consciousness; it was clever, but it didn't really have substance.

I look at composers and conductors, anybody involved in music or writing or art in general; they got more done as they got older. If I can, I'll be one of those people because what I do is my passion.

I was kind of thrown into - I didn't expect to do this for a living, being a recording artist. I was just playing music for the fun of it and writing songs. That was kind of my escape, you know, from the humdrum of the world.