I couldn't believe I was working with Michael Jackson. I thought, growing up as a kid, I thought Michael was a cartoon.

I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.

I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.

I started calling myself the Pied Piper, when I started using the flute sound in my music.

I just think that with music, it's kind of like life, and so the people you work with, you generally develop a relationship. You don't have to try to explain things. You just know. It's like you're in the band together and striving for the same goal.

We come into relationships often very much identified with our needs. I need this, I need security, I need refuge, I need friendship. And all of relationships are symbiotic in that sense. We come together because we fulfill each others' needs at some level or other.

There are so few strong roles for women, especially young women. And Veronica is very serious but also very likable. She's a lone wolf, and it appeals to people that she isn't rich and doesn't have a lot of friends. No posse. She's just like you, like most of us.

The people I chose to work with me on this album are there because I have a personal relationship with them.