Growing up in Chicago, there was a very particular type of home that would display the black Jesus figure. It wasn't a radical home. You wouldn't find these in a Black Panther house. There's still a strong allegiance to Christianity.

I have an investment in the signifying aspects of the material as well as an understanding of antecedent bodies of work. That informs the way I make marks and make decisions.

When I was young, I remember feeling a real thirst for opportunities around the arts, for learning about how artists function and how institutions work.

I'd begun to collect things that were lying in piles on the floor of my studio. I had run out of space, and I started to build shelves. I turned around one day and realized that that was the vehicle for carrying so many of the things that I was looking at and talking about, so they went from the walls to the works.

I had all the material for a long time, but I was just too busy. Sometimes we'd sit around at home and sing some of these songs at family things, and everyone always said I should record them.

I don't think America knows what a gay parent looks like. I am the gay parent. America has watched me parent my children on TV for six years. They know what kind of parent I am.

When I was 13, I moved from New Jersey to Germany with my family. The high school was so supportive of my dream to continue with my theater training; instead of taking PE, I would get credit for dance lessons.

I think the best thing that I collect is memories. I love traveling; I love remembering stuff, my family, my daughter, my wife. I just love collecting memories of my trips, my experiences. And I think that's it. I'm not very glued to material stuff.