Growing up in Jersey makes you a little bit ballsier, a little more outspoken.

Glee' is very easy to clown because I feel like it's just crumbling. 'Smash!' 'Smash' is the ultimate. I love it because I'm all about theater. I did plays in high school and college, and it totally brings me back to that feeling: how excited you get on opening night, how it sucks when you're not learning the dance moves.

I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.

When I was younger, I was an avid science girl. I was all about, 'I'm going to be a doctor.' Even when I graduated, I was like, 'I'm going to be a doctor.' Even though I did acting and I was in plays and drama clubs in high school and college, I still didn't think I was going to take it on as a career.

I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.

I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.

I didn't really come from money. So I wanted my thesis show to grab as much attention as possible.

One thing that people keep on saying to me is that the wealth and the fame must have made up for missing out on my childhood. But the idea of money - putting a price on your childhood - is ridiculous. You will never get those years back and you can't put a price on them.