I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.

I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.

I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.

It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.

I don't think some athletes understand how big it is to be an athlete, what they can do with just a simple gesture of shaking a kid's hand. It can make a fan's day. It can make a fan's life.

I think the fun of following the movie box office and stocks is very similar to the fun of sports - all three combine passion and unpredictability.

I definitely think the way the game is transforming, becoming more and more athletic, guys are great athletes out here and relying on the physical skills more than their tennis skills, almost, sometimes. So for that reason, matching up with some of these guys, I can't keep up.

In sport, and especially in this sport, the confidence you get from the results is a massive help.