Mr. Peanut' is not about a man who dreams of killing his wife; that's jacket copy, to me. 'Mr. Peanut' is about the dynamism of marriage and the distances - some tragic, some redemptive - that marriages travel over time, and those travels ain't always pretty.

In a crazy way, writing is a lot like any kind of very complex game - like chess, where you have the knowledge as you're composing all of the ramifications of each move, of each choice you make.

There was a long stint during my childhood after I gave up on being a pro football player - we're talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.

The best compliment came from Knopf's Sonny Mehta. We were at lunch in New York with my editor, Gary Fisketjon, it was my first time meeting Sonny, and after ordering our food, he turned to me and said, 'Adam, I read 'Mr. Peanut' in two days; every page surprised me, and that, I can assure you, doesn't happen often.'

I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. 'Enough Said' had that stuff, but I wanted it to be fun and funny while also grounded in reality.

Here's what we must do: Completely reform the vetting process for immigrants and foreign visitors. Change the screening process. Come up with a new visa-application review process. Stop this nonsense of marriage-visa fraud. And in the meantime, seal the borders.

I'm very loyal to my south fans and the industry there. So, it's hard for me leave all the love, respect, and admiration and shift base here. I'm a Mumbai girl and have lived here for most of my life. At the same time, I've spent 10 years of my life in the South and feel like a south Indian at heart.

When I talk about my husband, I feel as if people roll their eyes. It's like when you're 16 and order a martini, and the waiter says, 'Do you think I'm stupid?'. They can't grasp that I'm old enough to be married.