I had mentors, growing up in gay life - older gay men who told me about our history and the history of art and culture - but somehow, the younger generation missed out on that synergy.

I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.

Hollywood is an idea. It's not a real place.

Usually, people who don't have a broad perspective see gay people as servants - as people who are there to make them look good.

We all had our strengths. I focused on mine, which was kind of the business side of things and more about the touring and the creative... Nick was all about the music, and Joe was about the entertainment aspect and the music.

Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever.

If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.

With Dream Theater, every creative aspect of the group went through me. I oversaw it all from top to bottom.