Growing up, I listened to a lot of everything - I fell in love with music, when I discovered people like Lauryn Hill and Tracy Chapman, people whose voices I could really feel, people with a lot of soul. That's what I'm drawn to as a musician: Anybody that has their own voice and their own point of view.

Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.

I get so many questions in interviews about feminism, and I think the second you start separating femininity and masculinity and giving one more power than the other, that's like - everyone is a person.

I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.

I think growing up in such a small town - before cell phones, before the Internet, before Facebook, before we had access to people's interiors - there was a great deal of space between people's lives. I spent a lot of time imagining into the lives of the people I grew up with.

The Internet plays an ever more significant role in the sedulous promotion of terrorism. We know that in the U.K., groups gather to view the preaching of violent men located many thousands of miles away and that this does have a powerful effect on young minds.

In Japan, they have TV sets in cars right now, where you can punch up traffic routes, weather, everything! You can get Internet access already in cars in Japan, so within the next 2 to 3 years it's gonna be so crazy!

I think there's a lot of crazy stuff on the Internet. You read stuff that is wild speculation, and there's an element of it that makes me not trust it because there's this undercurrent of insanity to it sometimes.