In 2011, I did an internship in Seven Dials, a junction in London where seven roads come together. I'd given up on writing after multiple rejections for my first novel, and I was starting to consider a career in publishing instead, but Seven Dials gave me such a strong idea for a setting that I couldn't resist picking up my pen again.

I often look at places and kind of mentally convert them to fantasy versions of themselves.

People question what I thought of Oxford. Students used to talk about the 'Oxford bubble' because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.

My silver cord - the link between my body and my spirit - was extremely sensitive. It was what allowed me to sense dreamscapes at a distance. It could also snap me back into my skin.

Carry on any enterprise as if all future success depended on it.

People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.

The British were indeed very far superior to the Americans in every respect necessary to military operations, except the revivified courage and resolution, the result of sudden success after despair.

There are so many women who contributed in a very real way in pushing for the space program during the time in which there was a lot of competition to get into space first, and to know that there were African-American women who were integral in that success is pretty phenomenal.