If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

With 'Mumbai Calling,' I was surprised it was ITV that went for it because it didn't traditionally seem like the kind of programme they would make.

During an early performance of 'Spamalot,' I left my regal gloves in the fridge to cool down and didn't remember them until I was on stage. They needed to be thawed overnight.

Because of my Asian-ness, I couldn't be anonymous - what I said, what I ate, what I did at the weekend were startlingly different to what everyone else did. I was also a performer, quick and chameleon-like, good at accents, so that made me stand out.

I played for England at cricket and football. Playing at Wembley in front of 60,000 people seemed better than playing at Cirencester in front of my family and friends.

People don't realise what a nice thing it is for an actor to go to a job where they know or like everybody, because you're so often having to do new beginnings, starting off on set with people you don't know, having to introduce yourself and make friends.

I do think, in time, people will have, sort of, relationships with certain kinds of robots - not every robot, but certain kinds of robots - where they might feel that it is a sort of friendship, but it's going to be of a robot-human kind.

I loved it. I just thought I wanted to stay in college forever. I came to New York all by myself; I didn't have any friends there. But it was fine. I felt comfortable. I started thinking, 'Maybe graduate school?' I was really cool with people who were smart, who knew stuff. It's very romantic and stimulating.