If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

With 'Mumbai Calling,' I was surprised it was ITV that went for it because it didn't traditionally seem like the kind of programme they would make.

During an early performance of 'Spamalot,' I left my regal gloves in the fridge to cool down and didn't remember them until I was on stage. They needed to be thawed overnight.

Because of my Asian-ness, I couldn't be anonymous - what I said, what I ate, what I did at the weekend were startlingly different to what everyone else did. I was also a performer, quick and chameleon-like, good at accents, so that made me stand out.

Even when a drunk guy, a program director, was slurring his words and telling me what to do with my career, I didn't react to him in a negative way. You kind of have to joke back with them to put them in their place.

Although I do use some of my psychology training in comedy, but it's more like pop psychology, not a course of treatment or anything. To me, it's more like social intelligence.

The thing with 'No Man's Land' is not to see it, but how to make people to go to see it. The one negative criticism I've heard is that the relationship between tragedy and comedy is so perfect that it becomes suspicious. I take it as a complement.

I think I learned everything about comedy and timing and drama from watching 'The Muppet Show,' which was one of the best shows ever produced.